TeamTO is a full featured producer and independent animation studio in France who handles 100% of their own CGI production process across two studios, one located in Paris and the other Bourg-lès-Valence. This strategy enables them to closely control every stage of production and guarantees the consistent quality of every show while maintaining a flexible, reliable and high-performing environment which encourages artistic talents to flourish.

We had the chance to speak with TeamTO’s CTO, Jean-Baptiste Spieser, about how Yeti helped them deliver their most recent endeavour – Mighty Mike and the Wild Bunch.

Mighty Mike and the Wild Bunch, Courtesy of TeamTO

“When we decided to launch our new show, Mighty Mike and the Wild Bunch, in 2018; we hadn’t experimented extensively with fur in a TV series production. Of course we’ve used Yeti previously on a feature film (“Yellowbird” directed by Chirstian de Vita) but our experience told us that feature films and TV series are so different in terms of flow and pipeline – the quality-budget-shedule equilibrium is very specific to each typology of production.”

“Our artistic requirements were high with Mighty Mike and we didn’t want the presence of fur to bring limitations to our directors and artists (close-ups on characters, cartoon deformation, number of characters in the same shots, environment and FX interactions ). That was quite an ambition to deal with and the choice of Yeti was definitely one of the good ones!”

“The 5 main characters were animals with fur and there is an average of two of them in each of our 10,608 shots. Once they were groomed and our pipeline stabilized, everything went so smooth on the farm or, as we say in French, au poil!

Mighty Mike and the Wild Bunch, Courtesy of TeamTO

“With a powerful toolset and open graph we were able to easily integrate Yeti in our pipeline. This freed us up to deal with the derivate characters while allowing the development of our dedicated collision-tools to deal with all the interactions the animals had with the sets, props or themselves – with the characters spending so much time chasing, fighting and hugging each other.”

“In total 1,697,280 cache files were exported with 8000 furry images being rendered each day enabling us deliver 3 episodes per week at cruising speed.”

“Peregrine definitely provided us a powerful tool to serve our artistic ambition.”

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